Pros
- Comprehensive editing toolset
- Broad format compatibility
- Built-in effects and plugins
- Seamless Windows integration
- Affordable one-time purchase
0 Music







MAGIX Software GmbH has been a household name in audio editing for decades, and with SOUND FORGE Audio Studio 17 Microsoft Store Edition, they've brought their legendary precision to a modern, streamlined package. Think of it as the trusty Swiss Army knife for your sound—whether you're cleaning up a podcast, polishing a voiceover, or just making a mix sound less like a war zone. It's not trying to be a full-blown DAW (though it can handle multi-track work); instead, it focuses on what it does best: surgical audio editing and restoration.
At its core, this app is a professional-grade waveform editor and recorder designed for anyone who needs to shape sound with surgical precision. The developer, MAGIX Software GmbH, has been refining this tool since the 90s, and the 17th generation shows maturity without bloat. Key highlights include its non‑destructive editing engine, an extensive suite of noise reduction and restoration tools, real‑time effects with zero latency monitoring, and seamless VST plugin support. Who's it for? Podcasters who can't stand “umms,” musicians who need to clean up a live recording, and voice‑over artists who want that radio‑ready polish—basically, anyone who takes audio seriously without wanting to become a full‑time engineer.
Opening SOUND FORGE Audio Studio 17 for the first time feels like walking into a well‑organized workshop. The dark, uncluttered interface instantly puts you at ease—no overwhelming grid of knobs and meters, just a clean waveform display and toolbar that makes sense. I loaded a scratchy old cassette transfer, and before I could even blink, the app had analyzed the file and presented its spectral view like a doctor showing you an X‑ray. The learning curve? Surprisingly gentle. If you've ever used any audio editor (even Audacity), you'll feel right at home. But beneath that friendly face lies a beast ready to tackle even the messiest recordings.
The star of the show is the waveform editing engine. It's not just about cutting and pasting—you can zoom down to sample level, nudge individual transients, and apply fades with sub‑millimeter accuracy. I tested this by trying to remove a background cough from a vocal take. With the spectral editing layer, I could literally “paint away” the cough without touching the voice. It's like having a magnet that only picks up the noise you want gone. The app's input latency tolerance is also impressive: I hooked up a cheap USB microphone and set the buffer to 64 samples, and real‑time monitoring felt instantaneous—no distracting delay that makes you trip over your own words.
MAGIX packed in a whole studio of restoration tools—dehisser, declicker, noise gate, and a multiband compressor that practically thinks for itself. But the real gem is the Vocal and De‑Ess plug‑in. I applied it to a podcast recorded in a frigid room (you know, that nasal echo), and within two clicks the voice was warm, clear, and free of “s” hiss. Comparable tools like iZotope RX cost a small fortune; here they're bundled without the extra charge. For rhythm‑based work, the app includes a Beat Extraction and Tempo Mapping feature that accurately detects beats even from a drum loop with wild tempo fluctuations. I threw in a wonky live jam, and it perfectly mapped the bars—a lifesaver if you're editing a musician who can't keep a click track.
Most music apps at this price point either go for flashy loops or dumbed‑down workflows. SOUND FORGE takes the opposite route: it gives you pro‑level control without the pro‑level confusion. Compared to Adobe Audition, it's lighter, faster, and feels more responsive on a mid‑range laptop. Against Audacity, it's like comparing a scalpel to a butter knife—both can cut, but one does it cleanly. The standout differentiator is the real‑time spectral editing with undo history. You can paint over a noise, then instantly step back through dozens of previous states, something even some DAWs can't handle gracefully.
I wouldn't recommend this if you're solely a beatmaker who needs a full DAW with virtual instruments—FL Studio or Ableton Live would serve you better. But if you're a podcaster, sound designer, voice actor, or musician who frequently records, edits, and restores audio, this is arguably the best value in the Microsoft Store. The only catch: the store version might not include every single plugin from the physical boxed release (double‑check the feature list), but for 99% of users, it's complete. My advice? Download the trial first, load up your worst‑sounding recording, and witness the magic. You'll probably never go back to freeware again.
Click the Record button on the toolbar or go to Transport > Record. Select your input device in Settings > Audio > Recording Device, then press the red record icon. You can monitor levels and pause as needed.
Yes, go to File > Open and browse for your audio files. Supported formats include WAV, MP3, FLAC, and more. Once opened, you can edit, cut, or apply effects directly. For bulk import, use File > Import Media.
Use the Selection tool to highlight the section you want to remove, then press Delete or go to Edit > Cut. For precision, enable Snap to Grid in View > Snapping. You can also split the track at cursor positions using Edit > Split.
Open your digitized recording, then go to Effects > Restoration. Use DeNoise to reduce hiss, DeClick for pops, and DeClip for distortion. Adjust parameters in real-time and apply via Options > Process. Always work on a copy of the original file.
Select the audio track in the timeline, then go to Effects > Audio Plug-ins. Choose Reverb, EQ, or other effects. Adjust settings in the plugin window and click OK. You can also chain multiple effects via Effects > Plugin Chain.
Mastering tools are under Effects > Mastering. Use the Equalizer for tonal balance, Compressor for dynamic control, and Limiter to maximize loudness without clipping. Apply them in order and preview before final export via File > Export > Audio.
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